Personal

2934

 © Charles Musser, The Emergence of Cinema, 1990, p. 377

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Personal

PERSONAL--Young French gentleman, recently arrived in this country, desires to meet handsome American girl; object matrimony. Will be at Grant's Tomb at 10 this morning. wearing boutonniere of violets.

Alphonse, after inserting this advertisement in the Herald, hies himself in his best apparel to Grant’s Tomb, Riverside Drive, New York City, there to meet a fair and financially favored American girl if one shows up. He arrives a little ahead of time, but not too early for an ambitious widow, who, with her small daughter, is parading the beat on the lookout for the Frenchman.
Alphonse see; her first however and nimbly sidesteps, only to be confronted Ill· another fair creature. To her he makes his best obeisance, but has hardly time to introduce himself when another girl claims his attention. In an instant they are on him from all sides. No matter which way he attempts to dodge he is confronted by a determined female. Before he realizes what he is up against he is in the midst of a crowd of husky American girls, in danger of being torn limb from limb. In frantic fear he breaks through the line and starts away on a dead run.
In the next scene we see the desperate man leaving Grant's Tomb in the distance at a 10-second clip, with a cloud of flying petticoats in close pursuit. The chase then developes through successive scenes, each one screamingly funny, and there is always the little fat short-breathed woman who gets left and finishes a bad last.
Across country the chase goes. At one time down a steep embankment where several of the girls slip and “bump the bumps.” The professor in the orchestra plays a solo on the bass drum when this happens, and the audience shouts with laughter. ln one of the successive scenes the fat girl gets stuck in a rail fence in another she almost falls off a plank across a stream. A neat little lady with white stockings also attracts attention as she lifts her fluffy skirts mid and chases the Frenchman.
Human endurance has a limit, and the Frenchman at last gives out. Breathless and exhausted he takes refuge in a clump of hushes. But fate has overtaken him. One fleet-footed Diana discovers him, and drawing a revolver from her shopping bag she holds him up and claims him for her own There is nothing for the poor fellow to do but to yield gracefully. The other girls come straggling in, but realizing that the game has been bagged, they extend their congratulations. The whole troup then starts off for the nearest Justice of the Peace.
No film produced up to this time has had the success of “PERSONAL.” It has run longer in the Keith houses than any other film of any make has ever run, and it is booked for a return over the entire circuit. It makes the moving picture turn the headliner of a programme.

AMB 1904-08-15


Personal

The original comedy production founded on an advertisement in the NewYork "Herald" in which a Frenchman states that he would like to meet a handsome American girl with the object of matrimony. The rendezvous is at Grant's Tomb. When the hour for the appointement approaches and he sees the great crowd of young girls waiting for him, he flees in dismay across the country, being followed, however, by the bevy of girls, and is finally captured at the point of a revolver and carried triiumphantly to the nearest clergyman. This is in all respects the funniest chase picture that ever been made.

AMB  1905-11



Personal

The original comedy production founded on an advertisement in the NewYork "Herald" in which a Frenchman states that he would like to meet a handsome American girl with the object of matrimony. The rendezvous is at Grant's tomb. When the hour for the appointement approaches, and he sees the great crowd of young girls waiting for him, he flees in dismay across the country, being followed, however, by the bevy of girls, and is finally captured at the point of a revolver, and carried triiumphantly to the nearest clergyman. This is in all respects the funniest chase picture that ever been made.

SEA 1908

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1 American Mutoscope & Biograph Company 2934  21F7375 (SEA)
2 Wallace McCutcheon
3 © 29/06/1904 371f/371f (SEA)
4 USA, New York   

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